Friday, 23 March 2012

The Hunger Games (2012)

Running Time: 142 minutes 
Directed By: Gary Ross
Starring: Jennifer Lawrence, Josh Hutcherson, Liam Hemsworth, Elizabeth Banks, Woody Harrelson, Stanley Tucci, Donald Sutherland, Toby Jones, Wes Bentley,
Screenplay: Gary Ross, Billy Ray and Suzanne Collins
UK Release Date: 23rd March 2012 - UK

Quick Plot: Set in post apocalyptic America, the Capitol select one boy and one girl from each of the12 District's of Panem for the annual Hunger Games televised event. District 12's Katniss Everdeen volunteers herself in place of her younger sister to compete against the twenty three other tributes in a death batlle where there can only be one winner.

Review: One of 2012’s most anticipated teen fantasy films is finally here and to put it simply- it’s fantastic. Hollywood is use to the teen book turn film by now, however The Hunger Games has everything in line making it unbelievably breathtaking while bringing a fresh flare for dystopian fiction.
Having a huge, devoted fan base, Gary Ross’ The Hunger Games has picked up anticipation from the moment the film was announced. With the high expectations, the film could very easily wallow in disappointment and shatter the delicate fan base, except the cast, the glorious cinematography and the script don’t let it fall.

Away from the fact it’s based on a book, The Hunger Games works as a film alone. There’s no need for prior research to understand the ruin and dismay that the population of Panem have to face. The first thirty minutes are executed perfectly by a ray of fantastic cuts from the gloomy, grey and bleak District 12 to the eccentric, colourful and bizarre Capitol. Katniss wakes to the cries of her younger sister in a nightmare, then sets out early to get good ‘game’ along with her best friend Gale. District 12’s poverty is enlightened when Lawrence rips a hand sized piece of bread and smells it; making it known this is a rare occasion. Katniss’ warmth from the fresh bread is short lived as it’s soon followed by the reaping. An almost unrecognisable bright pink Elizabeth Banks walks out as the white faced Effie Trinket, clearly revealing she does not belong in the district, and begins the annual introduction to the history of the games.

Ever growing with her talent, Jennifer Lawrence is faultless as our protagonist Katniss Everdeen. Becoming the heroic teen role model would have been a task and a half, yet Lawrence makes it look effortless. The film is unable to capture Katniss’ inner voice like the novel, but from Lawrence’s natural strength she completely glides her way to be Miss Everdeen physically and mentally. Katniss isn’t a push over instead she’s independent and will do all it takes to protect her family since her motherly instinct kicked in after her father’s death. Heck, she volunteers herself to save her sister from a death match where the odds are not at all in her favour to win- that is something special. She has attitude but a soft side, which helps make the film frightfully believable. Rising star Josh Hutcherson is the boy from tribute from District 12, Peeta Mellark Hutcherson, though unnaturally blonde, gratifyingly captures Peeta’s first appearances as uncomfortable and weaker opposed to Katniss. As the story continues, Hutcherson displays how the character grows, keeping to his vulnerability but portraying Peeta’s confidence that he finds in the games.

Though the games are the centre of attention, there is a deep insight to how important the build up to the games for the Capitol and the ways they are glorified as entertainment. Here we meet the stylist for District 12 Cinna (Lenny Kravitz), who brings warmth to Katniss’ as a friend and is one of the only people who she can bring herself not to snap at. These scenes before the games are beautiful and it is as if the book has been brought directly onto the screen. The grand opening where Katniss has to make her impression picks up pace while leaving the small feeling of worry over what lies ahead.

The screenwriters could have taken a risk and had the film following only Katniss on her journey from volunteering to be in the games, but thankfully the Capitol and gamemaker’s have a huge involvement. Their brutal toying and manipulation of the game matched with the commentary by Caesar (another perfect casting with Stanley Tucci) means that all areas of the game are witnessed like a televised event. It’s all a bit too familiar to events we watch on television now, which is the chilling part.

Gary Ross doesn’t just stop with having a perfect cast and brilliantly adapted screenplay, everything in the editing suite is at the highest standard. The soundtrack is haunting, captivating and enhances the rush of the games and the dystopian theme back in District 12. With the use of a handheld camera, quick cuts through the violence and close ups on the deaths, tributes and severe concentration on little features creates irrational, invasive tension. Though it shouldn’t be compared, these techniques correlate to the book’s precision of detail. Keeping it to a 12A has its drawbacks for an audience, but with the swift editing and camera work the deaths and violence are quick to leave a lot more to imaginations. Despite the cuts, the film remains horrifically and brilliantly brutal.

The Hunger Games never once lets you stop for air and keeps on going till the credits. Jennifer Lawrence gives another exceptional performance boosted by a fabulous cast and editing team. Gary Ross has certainly created the teen sci fi fantasy that will define 2012.
4/5

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Saturday, 17 March 2012

Ramble: My adoration for The Hunger Games novel and why I can't wait to see the girl who was on fire

Something a little different for my blog, I'm going to talk about a pretty important movie event this year, The Hunger Games.

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Wednesday, 14 March 2012

The Raven (2012) a non-reviewy review

I saw The Raven last weekend and I'm still unsure if I liked it or not.
I'm sure it was definitely the better choice for a film than seeing John Carter I imagine, but I still feel a little...unsatisfied.

From James McTeigue, the director of V For Vendetta, The Raven certainly has the same feel to the 2005 adapted comic book thriller. The dark, ghastly atmosphere of 1800 Baltimore is quite daunting in places and though it would have been pleasant to have seen some of the surroundings and the scenery of the town, it's easily a believable setting.

Like most people, I adore John Cusack. Sad to say that I wouldn't class his act as Edgar Allan Poe in a list of his greats, but he adds something to the character that many wouldn't be able to. Out of them all, it's Luke Evans who comes out having gained something from The Raven. Though The Three Musketeers didn't do well critically, Luke Evans gained a name over in the US and continues to with The Raven. There's a charm and extreme likability to him that makes all of his performances entertaining, while always being quite adorable.

There is an obvious similarity between The Raven and Guy Ritchie's recent portrayal in the Sherlock Holmes films from the quite manic protagonist, dark crimes and Alice Eve's Emily to Rachel McAdams Irene Adler. Emily was too weak and the fact she holds the damsel in distress act for the majority of the film is really quite poor given that Alice Eve could do with a strong, femme fatale-esque role instead of always playing the pretty face. Though the femme fatale wouldn't quite work with her and Poe being completely in love, something stronger for Eve would have been ideal.

It's definitely an interesting look at the last few days of Edgar Allan Poe's life and from the small detail I found out from my cousin about Poe's last remaining words 'Fields and Reynolds', it makes for an interesting and much more exciting idea of what could have happened to Poe. Better than just thinking that Poe went mad and died I guess.

For Luke Evans and my adoration for Cusack films, I think I quite enjoyed The Raven.
If I were to make this into a more structured review, I'd give it 3/5.
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Thursday, 1 March 2012

February viewings



I'm really slacking in cinema viewings, but I've seen some films on DVD/TV for the first time that deserve a mention.

War Horse (2012) 4/5
The Sum Of All Fears (2002) 2/5
Salt (2010) 2/5
Four Weddings and a Funeral (1994) 4/5
Sanctum (2011) 3/5
The Vow (2012) 3/5
Melody Time (1948) 2.5/5
The Artist (2011) 4.5/5
The Adventures of Ichabod and Mr. Toad (1949) 2/5
Troll Hunter (2010) 4/5
Drive (2011) 4.5/5
The Guard (2011) 4/5
Submarine (2010) 5/5
How To Marry A Millionaire (1953) 3/5
Sea Of Love (1989) 3.5/5
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Monday, 13 February 2012

Small post to say...

I'VE FINALLY SEEN THE ARTIST!

I'm not going to review it because it will be nothing people haven't already heard about the film and I'd end up using the phrase 'who says Hollywood doesn't make them like they use to?' or something else completely cheesy.

But nonetheless I thought The Artist was fun, never boring, beautifully shot and absolutely stunning.
Both Jean Dujardin and Bérénice Bejo give outstanding performances that are delightful to watch.
And Uggie is fantastic!








The music is charming and definitely kept me hooked throughout it. I loved the opening credits, which made me feel a little nostalgic, even though I wasn't around in the 1920s to see silent films, I still loved the way it was presented.The dance scene right at the end has possible made it into my favourite scenes and I can't wait to see it again. The ending was the cherry on top for me, it's gorgeous!

I walked out of the cinema with a huge smile on my face and it hasn't faded- I completely adored it!
Of course, it's not for everyone's taste and can understand people demanding refunds if they didn't expect the black and white film to be silent. (The cinema guy who ripped my ticket had to ask if I knew the film's premise just in case!)

I'm rooting for it to win most Oscars in a few weeks that's for sure!

If you're like me and have been dying to see it, make sure you do in cinema! You won't regret it.
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Sunday, 12 February 2012

The Vow (2012)

Running Time: 104 mins
Directed By: Michael Sucsy
Starring: Channing Tatum, Rachel McAdams, Sam Neill, Jessica Lange
Screenplay: Abby Kohn, Marc Silverstein, Michael Sucsy, Jason Katims
UK Release Date: 10th February  - UK

Quick Plot: After a tragic car accident, Paige wakes up to find the past five years of her life vanished from her memory meaning any memory of her husband, Leo, gone. Keeping to his promising in his wedding vow, Leo sets out to make his wife fall back in love with him.

Review: It’s very easy to slate The Vow; the near Valentine Day’s release date, Taylor Swift soundtrack on the trailer and The Notebook girl and Dear John boy in what looks like the lovechild of both films. Yet, there’s something there that gives it a little heart.

Creating a film about memory loss is not something new for Hollywood and there are many romantic films on the subject that rank much higher than The Vow, but this time round there’s the based on true events tag. Knowing the plots origins has you constantly thinking what would you do if this happened to you, or someone you loved? To one day be in love, happy and everything in life seemed grand, to wake up the next day not knowing where you have been for the past five years. That’s Paige’s (Rachel McAdams) problem in The Vow.

Rachel McAdams and Channing Tatum are the glue to the films likeability and without them on board, The Vow would be completely flawed. Sure Tatum has a cardboard stiffness to his acting, but McAdams, doing what she does best, charms her way through in delicacy and together they make for a very pretty couple. Tatum’s Leo is a likeable character and unconsciously you side with him and want Paige to fall back in love with him. That joint with another passionate performance by Rachel McAdams, the pair come out on top as the film’s best element.

The Vow's weakest part is the storyline which at times feel ridiculous. There are times which obviously didn’t occur in the real life story, like characters using Paige’s tragedy against her to turn her against Leo and Paige not asking about the past five years of her life to the one person who says he was there for it. Luckily, they can be overlooked.

For a based on true events film, The Vow does not follow the path of a film that is expected and many romantic comedy fans will be displeased with the ending, but for the more realistic love story people, The Vow ends on a sweeter note.

Pun not intended, The Vow, on the most part, is forgettable as there are many films that get amnesia right however The Vow is worth time for McAdams and Tatum.
3/5



The Vow trailer
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Friday, 3 February 2012

War Horse (2012) - review

Running Time: 146 mins
Directed By: Steven Spielberg
Starring: Jeremy Irvine, Tom Hiddleston, Benedict Cumberbatch, Emily Watson, David Thewlis, Peter Mullan
Screenplay: Lee Hall, Richard Curtis
UK Release Date: 27th January  - UK

Quick Plot: In 1914 England, young Albert trains and bonds with a horse named Joey. After the war breaks out, Joey is sold to battle alongside Britain and so begins his journey through France, touching hearts of many people.

Review: Converting the famous children’s book by Michael Morpurgo and West End adaptation War Horse into a film is something only a few directors would be successful in. Luckily, Steven Spielberg has been. In possibly his most family orientated directorial in years, War Horse includes all the pieces needed for a Spielbergian classic and then more.

War Horse sticks to everything Spielberg is known for; beautiful setting shots, a little hint of war and characters that are so engaging to watch; it’s hard not to admire many things about the film.
Morpurgo’s novel is told through the eyes of the horse, therefore it is expected that a film from this view would be a challenge to create. Spielberg’s War Horse mostly looks at Joey, the very characteristic horse of the film, as he experiences different people in his journey. Then there are other moments where everything is seen from Joey’s point of view. From the beginning scene of Joey’s birthday to the separation from his mother, Joey’s introduction is explained in beautiful detail which makes it so easy to feel for him and identify Joey as the protagonist.
As always, John Williams’ score and theme for War Horse helps encourage empathy towards characters and situations. With bold, strong string chimes and tones, Joey’s presence is at times gracious and others, weak and frightened. Williams has created a defined a theme for Joey, which is sure to be iconic in years to come.

Although overall it feels like an 80s/90s Spielberg classic, the technology in transitions and cinematography offer War Horse a modern flare. Little moments in scenes are cleverly crafted to minimise the horror of war for a family viewing, but of course the war theme is something Stevie perfects. Watch out for a mesmerising shot with a windmill sail, though not at all pleasant it’s gentle to the heart one of the best moments.

Young Jeremy Irvine, as Joey’s human pal Albert, holds a passion in his first feature film role showing in many ways the meanings in Morpurgo’s book. Albert is Joey’s main friend during his adventure and like many Spielberg films; it’s a cherished friendship which reflects traces of Elliot and ET. Albert’s time training Joey is an enjoyable and precious which definitely highlights the sheer beauty of the story. The rest of the ensemble is strong; Watson, Mullan, Thewlis, Hiddleston and Cumberbatch give real, emotive inputs which are as good as ever. Even with the difference in character screen time, neither actor stands above another in particular because War Hose is a collective ensemble piece.

The 146 minute run time is a bit of a stretch, especially for a family viewing, but the film doesn’t feel dragged out in the end. For each individual, there will be people Joey meets who are preferred and others who feel irritating or a little selfish, but each segment of the film has a moment where your heart moves.
To finish, the English and German solider conversion needs a small mention- War Horse isn't expected to funny, but near the end of the film there is a grand scene with an English and German soldier which lit up the approaching end. There is no official or professional way to describe it other than absolutely lovely and touching.


War Horse is a definite Spielberg hit which has something for every member of the family. It’s the perfect Sunday afternoon film, but make sure you have tissues handy.
4/5 

War Horse trailer
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